Writings

Composite artwork based on two plates from Alexander Wilson's American Ornithology: an 1812 plate of swallows at left and an 1814 plate of ibises and a flamingo at right.

October 1, 2026

Dual Diagnosis, or a grammar of birds.

Yale diagnosed me with two chronic conditions. One took years to acquire a name. The other came from a historian who told me I spoke “a grammar of birds.” Nearly thirty years later, I am beginning to understand what she meant.

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Vintage 1954 postcard showing the lush green mountains and tropical rainforest of El Yunque, Puerto Rico, beneath a blue sky.

October 1, 2026

In The Presence of El Yunque, a tourist tale.

A family trip to Puerto Rico begins with a possibly misidentified tody on a field-guide cover and somehow accumulates a rainforest bird quest, three late birdies, a Yale connection, and a mysterious golfer headed back toward El Yunque.

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Two Canada Geese stand on grass beneath a tree, one with its neck extended and beak open toward the other.

September 28, 2026

The Gyle, or a newsletter tall tale.

A spring round of golf, a narrow bridge, an aggressively self-possessed Canada Goose, three suddenly strategic golfers, and one power wheelchair combine to produce an enduring piece of golf-course ornithology that may not, strictly speaking, be true.

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September 24, 2026

Things I Do Not Send to the Cornell Lab but Wish That I Could

A pressing ornithological question: Did Say’s Phoebe (Sayornis saya) have any influence whatsoever on Paul McCartney and Michael Jackson’s “Say Say Say”? There is only one surviving songwriter who can settle the matter—and, regrettably, the research window is closing.

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A Black Phoebe perches upright on a slender branch against a softly blurred green background.

September 17, 2026

The Luckiest Sayornis on Earth

A Black Phoebe at the Huntington Library and Gardens becomes an experiment in taxonomy, attention, and particularity—and a reminder that eventually every category gives way to one bird, on one branch.

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